Chart grading standards:
11 - Flawless chart. Floors me nonstop beginning to end. Unlikely to ever be found.
10 - Exceptional chart. Displays technical excellence along with engaging, interesting and creative patterns throughout.
9 - Excellent chart. Displays strong technical expertise with a few nitpicks. Patterning is entertaining, but may have brief periods with room for improvement.
8 - Great chart.
7 - Good chart. Technical aspects are generally good with a few noticeable flaws. Patterning is generally entertaining, but may lack creativity or interest at times.
6 - Above average chart.
5 - Average chart. Technical aspects may have some noticeable flaws. Patterning remains fun enough to be worth playing, but may be overly predictable and have significant room for improvement.
4 - Below average chart.
3 - Poor chart. Technical aspects may have some significant flaws. Patterning is bland throughout, or actively un-fun in parts, to a degree that would discourage you from playing the chart.
2 - Bad chart.
1 - Awful chart. Technical aspects may have severe flaws. A chart that is not fun from beginning to end; an incoherent, rambling mess.
0 - Severe technical errors that make a chart unplayable.
Presentation: 2 / 5 is average. Extras and attention to detail move that up. For example, a 5 / 5 file might contain a full set of single and double charts, good art, a lyrics file and a CD title. A 0 / 5 file breaks several rules regarding minimum presentation standards.
Tilt: At my whim. Most files get 2 / 3 unless I really decide I want to tilt a file. Mostly, I use this to single out music I hate
Most files will score between a 15 and 18 overall; a really good file will crack 20.
======================
ITG B1.2
======================
Ain't That Funny:
20 / 30Challenge: 8 / 11
* The freezes in measure 8-9 cross over but never unwind. It can be double-stepped because the freezes don't overflow, but it's not recommended.
* A fadeout ending is kind of weak - a cut right at measure 69 would have worked well.
* The first time I played this I thought it was a bit repetitive, but it grew on me.
* Generally, I appreciated the consistent difficulty and found the patterning interesting and varied.
Heavy: 7 / 11
* A minor nitpick, but there's a place where you transition from a 1 jump to 84. I wanted to take my left foot to the 8 rather than the right. It's not wrong, but it's always good to consider transition.
* I can't put my finger on any one thing, but I found the patterning on this one a notch down from the Challenge. Still not bad.
Presentation: 3 / 5
* Basic art
* Good cut
* Five charts
* Sample start OK but length off
* .old files in folder
Tilt: 2 / 3
I don't feel like putting much effort into tilt, so 2 is the default unless I say otherwise.
----------------------
Empire State Glory:
23 / 30Challenge: 9 / 11
* I like the patterning. It does a good job of balancing syncopation with runs, and steps up the difficulty at the end without being too overbearing.
* My primary concern is that the 24ths may be overkill, but they're not unprecedented either.
* Measures 69 and 70 may actually be TOO MUCH constant turning. It's the only part I noticed some significant repetition.
Heavy: 9 / 11
* It does a pretty good job of differentiating itself from the Challenge without going off the wall.
* I'd personally have rather seen more syncopation and less run between 66 and 74, but that's a matter of taste. I don't really feel those gallops though.
Presentation: 3 / 5
* Good-ish art
* IIDX song
* Two charts
* CD title
* Good sample, if short
Tilt: 2 / 3
I don't feel like putting much effort into tilt, so 2 is the default unless I say otherwise.
----------------------
Perfume:
19 / 30Challenge: 7 / 11
* I generally like the mine patterns here. But not the mine right after the 16th in measure 50, unless ITG machines have *really* tight timing.
* I like the 24ths, but I'm not sure why there's breaks in the pattern to drop back to 12ths. I don't hear a change.
* Nice general flow and use of crossovers.
* There's a short *roll* in measure 48. What's the point?
* I don't hear what you're trying to go to in 70-72. The previous pattern was repetitive, but it was actually in the music.
* I also don't see the deal with the rainbow gallops.
Heavy: 7 / 11
* I think you should have stuck to all twelfths during measure 15 rather than leaving gaps.
* I enjoyed the syncopated rhythms during the verse.
* I did not enjoy the chorus. You alternated between 3 16ths and a jump with no musical cue to trigger it. At least the 8th note jump had a vocal part to trigger it.
* Holding left-right and having a down hand is not recommended. Up is much less painful to hit.
* Measures 71 and 72 have no turns. Mix it up!
Presentation: 3 / 5
* Good art
* Good cut
* Two charts
* Blank CD title?
* Good sample
Tilt: 2 / 3
I don't feel like putting much effort into tilt, so 2 is the default unless I say otherwise.
----------------------
Toccata:
19 / 30Challenge: 8 / 11
* The first four measures tilt left pretty strongly. It improves later, but you could still stand to turn a bit more.
* Despite the relative lack of turning, it's still pretty fun.
* Measure 30 has a crossover that never crosses back. It's slow enough to double-step, but still.
* I like the mix of rhythms throughout.
Heavy: 7 / 11
* I like the walks here better; they fit more with the music.
* Measure 14 has another crossover that's never uncrossed. It might not be how you intend it to be hit, but it's the most likely way it will be hit.
* I don't follow the step-jump in measure 37. It's not really an appropriate way to deal with the little drum burst there.
* Pretty fun, if a bit uninspired.
Presentation: 2 / 5
* BG from PIU
* Banner is crop from BG without song name and artist
* PIU Movie
* PIU song
* Three charts
* CD title needs transparency
* OK sample
Tilt: 2 / 3
I don't feel like putting much effort into tilt, so 2 is the default unless I say otherwise.
----------------------
Yakusoku:
10 / 30Challenge: 3 / 11
* The opening's rather fun.
* I was left backwards for a freeze in measure 19. After that, the flow degrades quickly. The quarter-note spins are bearable, but with the sixteenths mixed in it gets ugly fast.
* For the most part, the rhythms are good, but there were a few gallops around measures 45-50 that I didn't quite get.
* It doesn't affect the chart any, but the entire thing should be moved up one beat so the measures line up with the music.
* All in all, this chart feels unpolished for the latter 75% of the song.
Heavy: 3 / 11
* Again, the rhythms are nice, but the patterning is a bunch of spins bridged by a bunch of double-steps. With this many double-steps, I'd definitely call it an 8.
* The lack of flow is somewhat tempered by the fact that there's fewer sixteenths... until the sets of 3 sixteenths show up.
Presentation: 2 / 5
* Decent art
* Good cut
* Two charts
* Random sample
Tilt: 2 / 3
I don't feel like putting much effort into tilt, so 2 is the default unless I say otherwise.