Entry: Time (Wideboys Club Remix) / Speakerbox ft. Michelle Shaprow

Presentation - 6 / 20

A fairly simple, though somewhat hard-to-read (text), set of graphics gives one a pretty good first impression of what the song is about-- time itself. They certainly worked out quite well that way, and with that video script, it makes for a fairly good visual experience (although you should have tried to place more variations in the videos there-- they felt monotonous at times).

You also included some extra charts, but none of them were really any good. The Beginner chart was a super disjointed set of 4th-notes (one per bar) without any energy at all (it didn't work as a Beginner chart, which is really strange-- rarely do these things happen). The Doubles charts, on the other hand, felt like they were autogenned (yes, its harsh, but that's what they appeared to be)... they felt like the Singles charts in just about every aspect of the stepchart.

Steps (no Oni)

!!! PROBLEM !!!

A 15-second static intro makes for a sleep-inducing experience, dude. You should have fixed the cut. I'm placing this problem here since it can very much affect what the steps will feel like, and seriously, 15 seconds of nothing can be really boring, and in some cases, downright surprising.

Light Chart - 0.5 / 5

Oh dear, a never-ending 4th-note stream with jumps and 8th-note patterns (lots of them-- and this is supposed to be a 4-footer Light chart!) that followed the sounds too religiously. Honestly, it felt like a march-- the patterns could have worked if you used some inventive spacing to break them up, so that one could feel the song better, but the way they were used made it seem like a long march, devoid of emotions or passions. You were really going somewhere with the patterns, but somehow, you blew it in the end (sad, some of the techniques here were quite good, like the crossovers). Try to rethink your chart-- seriously, you were on the right track.

Standard Chart - 0 / 10

Same problems as the Light chart, but they were complicated by the increased pattern styles, which at times don't go well with the song at all anymore (some of the jumps felt very random, and were highly unnecessary). This is further complicated by the general repetitiveness of the patterns (one, two, one-and-two; etc.), making for a highly uninteresting chart. It is also sad that some of the things that gave your Light chart hope were lost here (the crossovers, like the one in the first parts of Light, were lost-- they added a feeling of movement to the chart there, but they're pretty much gone here... so sad).

Heavy Chart - 0 / 15

Wow... after 15 seconds of nothing, So Deep-ish patterns are shoved up our necks. Now, they wouldn't be a problem if they fit the song, but in this case, they are a problem-- they just don't fit the song. The song is somewhat flat, and does not call for an insane jump+16th-note pattern run that extends to the entire chart. As with the other charts, the same problems are here, but they're worse than ever, since there are so many ways by which things can go wrong, and with a very repetitive pattern set (note the first few patterns, they seem to be repeated throughout the chart), it just didn't feel any fun to play. The fact that the patterns start to get worse towards the end (following the sounds religiously, to the point that we don't see any progression in the patterns) might be the last nail in the coffin for this chart (really illogical, really random). Seriously, it needs a full overhaul. Breaking up that extra-long stream might be the first step in the right direction, but you'll still need to do a lot here.